ANLEITUNG, 2019, started with gaining inspiration from Dadaist ‘readymade’ objects presented in a Fine Art context as well as Late Capitalist graphic design subversion, and went on to have many more influences. With influences from the commercial aesthetic used by Christopher Williams, found object re-appropriation used by Sara Cwynar, and bold graphic design subverting the Capitalist propaganda style of Barbara Kruger, among others, there has been much layering of meaning and concept. I feel that undermining the alleged need for “usefulness” from any and every object has been a strong contemporary commentary of Late Stage Capitalism.